P. Ramlee 50

08 · Research

Sources

Biographies

  1. Abdullah Hussain. (2016). Kisah hidup seniman agung P. Ramlee (Cetakan pertama). Dewan Bahasa dan Pustaka.
  2. Harding, J., & Ahmad Sarji. (2002). P. Ramlee: The bright star. Pelanduk Publications.

References / Encyclopedia

  1. Ahmad Sarji. (1999). P. Ramlee: Erti yang sakti. Pelanduk Publications.
  2. Mustafar A. R., & Aziz Sattar. (2008). Filem-filem P. Ramlee (1st ed.). MZA Terbit Enterprise.

Symposiums

  1. Awang Azman Awang Pawi, & Khor, C. L. (Eds.). (2005). P. Ramlee di cakera Nusantara (1st ed.). Universiti Malaysia Sarawak.
  2. P. Ramlee: Seniman agung dunia Melayu: Kumpulan kertas kerja Simposium Karya Seni Seniman Agung P. Ramlee. (2003). Arkib Negara Malaysia.

Studies

  1. Abdul Ghani, D. (2016). P. Ramlee’s Laksamana Do Re Mi: The study of interactive comic film adaptation. In 2016 International Conference on Information and Communication Technology (ICICTM) (pp. 169–173). IEEE. https://doi.org/10.1109/ICICTM.2016.7890794
  2. Ahmad, M., & Lee, Y. B. (2015). Negotiating class, ethnicity and modernity: The ‘Malaynisation’ of P. Ramlee and his films. Asian Journal of Communication, 25(4), 408–421. https://doi.org/10.1080/01292986.2014.968595
  3. Aljunied, S. M. K. (2005). Films as social history—P. Ramlee’s “Seniman Bujang Lapok” and Malays in Singapore (1950s–60s). Heritage Journal, 2.
  4. Awang Azman Awang Pawi, & Khor, C. L. (2005). Dua tokoh, dua naratif: Suatu ekspresi kemiskinan. In Awang Azman Awang Pawi & C. L. Khor (Eds.), P. Ramlee di cakera Nusantara (1st ed., pp. 69–85). Universiti Malaysia Sarawak.
  5. Azah Aziz. (1973, June 17). [Who will continue his work?]. Berita Minggu.
  6. Barnard, R. P., & Barnard, T. P. (2002). The ambivalence of P. Ramlee: Penarek Beca and Bujang Lapok in perspective. Asian Cinema, 13(2), 9–23. https://doi.org/10.1386/ac.13.2.9_1
  7. Barnard, T. P. (2006). Film, literature and context in Southeast Asia: P. Ramlee, Malay cinema, and history. In C. Chou & V. Houben (Eds.), Southeast Asian studies: Debates and new directions (pp. 162–180). ISEAS.
  8. Beh, W. F., Abdul Latif, L., Bin Hashim, N., & Chung, T. Y. (2018). The brain symphony for post-stroke rehabilitation: A pilot randomized controlled study [Abstract]. Neurorehabilitation and Neural Repair, 32(4–5), 336–337.
  9. Chan, C. S. C. (2004). P. Ramlee’s music: A reflection of culture contact in a multi-ethnic society [Research report]. Universiti Pendidikan Sultan Idris.
  10. Chan, C. S. C. (2012). P. Ramlee’s music: An expression of local identity in Malaya during the mid-twentieth century. Malaysian Music Journal, 1(1), 16–32.
  11. Chopyak, J. D. (1985). The development of Malaysian popular music: The influential roles of P. Ramlee and Johari Salleh [Master’s thesis, University of Hawai‘i at Manoa].
  12. Driskell, J. (2022). P. Ramlee, the star: Malay stardom and society in the 1950s–60s. In J. Driskell (Ed.), Film stardom in South East Asia (pp. 36–50). Edinburgh University Press. https://doi.org/10.1515/9781474442213-005
  13. Hashim, R. (2007). Malay comedy in a late colonial and post-colonial context: The Singapore comedy films of P. Ramlee, 1957–1964 [Doctoral thesis, Monash University]. https://doi.org/10.4225/03/5a3868a77dcc6
  14. Jaffar, J., Ahmad Norazizi, N. A., Omar, N., Aliman, S., & Masrom, S. (2020). Reminiscing the legendary P. Ramlee through data visualization technique. Mathematical Sciences and Informatics Journal, 1(2), 59–69. https://doi.org/10.24191/mij.v1i2.14187
  15. Johan, A. (2019). Cosmopolitan sounds and intimate narratives in P. Ramlee’s film music. Journal of Intercultural Studies, 40(4), 474–490. https://doi.org/10.1080/07256868.2019.1628723
  16. Johan, A. (2021). Reframing the national culture narrative of P. Ramlee. In Z. Ibrahim, G. Richards, & V. T. King (Eds.), Discourses, agency and identity in Malaysia: Critical perspectives (pp. 367–385). Springer. https://doi.org/10.1007/978-981-33-4568-3_16
  17. McGraw, A. C., & Azmi, A. N. S. (2009). Music and meaning in the independence-era Malaysian films of P. Ramlee. Asian Cinema, 20(1), 35–59. https://doi.org/10.1386/ac.20.1.35_1
  18. Mohd Zaki, N. E. A., Mustaffa, C. S., & Irmawati, N. D. (2014). Visualizing Islamic law and values in Semerah Padi (1956): P. Ramlee as cinematographic auteur. Procedia – Social and Behavioral Sciences, 155, 341–347. https://doi.org/10.1016/j.sbspro.2014.10.303
  19. Mohd Zaki, N. E. A., & Wan Zainodin, W. H. (2020). P. Ramlee’s cinematographic auteurship of cultural values representation in Antara Dua Darjat and Ibu Mertua-Ku. Jurnal Komunikasi: Malaysian Journal of Communication, 36(3), 390–407. https://doi.org/10.17576/JKMJC-2020-3603-24
  20. P. Ramlee. (1971, August 16–20). Strategies to enhance the quality and enrich the asli (indigenous) and traditional music of Malaysia for national interests [Paper presentation]. Kongres Kebudayaan Kebangsaan (National Cultural Congress), University of Malaya, Kuala Lumpur, Malaysia.
  21. Pogadaev, V., & Pogadaeva, P. (2005). P. Ramlee and Leonid Utesov: Parallels of creativity. In Awang Azman Awang Pawi & C. L. Khor (Eds.), P. Ramlee di cakera Nusantara (1st ed., pp. 239–249). Universiti Malaysia Sarawak.
  22. Raja Iskandar Raja Halid. (2011). I hear a tenor saxophone, who’s playing it, Chombi? P. Ramlee’s films as music classrooms [Unpublished conference paper]. Universiti Malaysia Kelantan.
  23. Shaharuddin Maaruf. (2005). Antara Dua Darjat antara dua zaman. In Awang Azman Awang Pawi & C. L. Khor (Eds.), P. Ramlee di cakera Nusantara (1st ed., pp. 141–174). Universiti Malaysia Sarawak.
  24. Siti Hajar Mohamad Seperah, & Sharifah Faizah Syed Mohammed. (2020). Contribution–classicizing popular songs of P. Ramlee for the flute and guitar. In N. Kaur & M. Ahmad (Eds.), Charting a sustainable future of ASEAN in business and social sciences (pp. 43–55). Springer. https://doi.org/10.1007/978-981-15-3859-9_5
  25. Sujud, A. (1999). Estetika dalam lirik lagu-lagu nyanyian P. Ramlee [Master’s thesis, Universiti Putra Malaysia].
  26. Teo, S. (2016). Malay cinema’s legacy of cultural materialism: P. Ramlee as historical mentor. In K. K. Liew & S. Teo (Eds.), Singapore cinema: New perspectives (pp. 29–45). Routledge.
  27. Uhde, J. (2015, Spring). P. Ramlee and neorealism. Kinema: A Journal for Film and Audiovisual Media. https://doi.org/10.15353/kinema.vi.1323
  28. Wong, A. W. W., Pillai, S., & Ong, P. L. (2018). The golden era of the Malaysian film industry: Cross-cultural dialogue and negotiations of ethnicity in a budding nation. Kajian Malaysia, 36(1), 1–24. https://doi.org/10.21315/km2018.36.1.1